2 Women

On the weekend of February 23 and 24, we showed a video without an official title that we just called "2 women" internally. It wa a very simple setup and shoot. 1 scene - 2 women meeting for lunch to talk about one's marriage counseling. The weekend was about Ephesians 5 - wives and submission. We're doing a series on miss-quoted bible verses and how they've been abused over the years. That passage of scripture is actually very convicting as a man who will probably (God willing, of course) get married some day. The passage places huge responsibility on the man in the marriage - I know I have a ways to go before I can be a proper husband.

Anyways... about the shoot. We shot at a restaurant nearby the church between lunch and dinner when they were closed, so we wouldn't distract any patrons (or have the distraction of patrons). I've been watching the 1st season of Friday Night Lights on the Universal HD network so I basically wanted to cop the look of that show for the shoot. For dialogue scenes they usually run 2 or 3 cameras simultaneously, and do a lot of handheld camera movement - zooms, refocuses, etc. The framing and the camera movement help add a lot of tension to the feel of the video, and since it's such a touchy subject, I thought that style would really compliment the video. We used one light and a bounce card on the shadowy side of the women to lighten them up a little bit, but our key light was the (cloudy) sun blasting through windows on two sides. I love being able to use natural light - it makes setups so much easier! We added just enough so their faces wouldn't bee too dark on the shadowed side.

We shot with two Panasonic HVX-200 DVCProHD cameras set to 720p24N, no lens adapters. We set the cameras as far away from the action as we could and zoomed in for closeups to shallowize the depth of field as much as we could. One camera was handheld with a spiderbrace support thingie, basically just PVC piping and a tripod mount that lets you handle the camera like a shoulder mount camera instead of a handycam. The other camera (which I operated) was on a monopod. The footage came out great, just like it normally does with the HVX. I think I got a little too enthusiastic with the camera movement on my angle, and some people said it was distracting, but I think it was overall a great shoot.

As for post production, we use Adobe Creative Suite 3. In the past, I've been a Final Cut Studio guy who uses After Effects a lot, but since we were setting up this new job, I recommended that we go with Adobe all the way, because of the interoperability between Premiere and After Effects (plus Photoshop, Illustrator, and Flash). So I'm getting the hand of premiere pretty well. The hardest part is the different keyboard commands - I'm so used to "B" being the blade tool that it's hard for me to hit "C" to bring it up.

I did run into a pretty big snag in importing the Premiere project into AE, though. AE doesn't interpret multicam sequences properly. Since we shot the scene with two cameras simultaneously, editing it as a multicam sequence was perfect - the ability to switch angles during live playback added another level of rawness that I loved. But when I opened the sequence in AE, every clip was from the same angle. So I had to duplicate the nested sequence and go through and make cuts manually at all the same times I made them when creating the multicam sequence. I'm really glad it was a short scene with only two angles - I'd hate do have to do that for a 4+ angle hour-long concert!

So after getting through that hassle, I got the sequence into AE properly so I could do my color correction and grading. The two shots needed minimal correction between them to match, so my main job was to create the look. Here's a screencap from the original:
Highlights are pretty much blown way out, but for this shoot I didn't really mind. I probably would have blown them out in post if they weren't already.

Here's after I was done with it:
I knocked the saturation way down, bumped the contrast up quite a bit, and pulled the reds out and pushed blue up a bit. Initially I had it way too blue, but after a while of twiddling with settings, I got it just blue enough. Looking at it now, I think I could have worked a little harder at preserving the warmer skin tones of the original while still having the cold bleak look.

Audio was the biggest headache on this shoot. We had a Sennheiser ME66 shotgun mic on a stand not very far out of frame, and it picked up the dialogue wonderfully. But it also picked up the A/C, refrigerators, and other normal restaurant noisemakers. The ambient sound was awful. I scrubbed it up a bit with adobe soundbooth, which helped quite a bit, but it was still pretty bad, at least to my ears. I have a feeling it would have been a bit too much to ask for them to turn off the whole restaurant an hour before happy hour/dinner...

Audio aside, I'm extremely happy with how the video came out. I think we very successfully copied the look and feel of Friday Night Lights, down to the delay-heavy indie rock soundtrack (Appleseed Cast to the rescue!).